I decided to seek this one out considering of Julianne Moore. I thought it would be just another well-acted period drama. What I didn't know was that Todd Haynes was behind it, and from the opening the film lets y'all know what kind of way it will be. It's not one of those stuffy period dramas. In fact, it's very much made in the mode of actual 1950s films. It's apparently taking on the mode of Douglas Sirks' films, and even though I have never seen one, the manner is credible.
This is the definition of a melodrama, but it serves the purpose completely and not the type of melodrama you would expect in this day and age. Everything is heightened in it'southward intensity. The incredible cinematography and use of colors is something to marvel at, and in terms of how the cinematography was constructed I don't call up any other film could compare to. The cute music score is perfect and it just makes the atmosphere richer. All of this serves as a backdrop to a film that'southward really about contemporary problems in the 50s. That in itself has been the focus of many films in the last few years, simply Far From Heaven stands autonomously from them all. The screenplay is brilliantly written, infusing rich backgrounds and characterization to all of the characters. In fact, the plot is pretty directly-forward and something yous would encounter in classic films of that era, merely now it feels fresh, alive with excitement. It'due south never depressing, and instead it tells its story until a satisfying determination. Information technology'due south probably 1 of the best screenplays of its decade.
The performances are also perfect. Simply Julianne Moore tops off this perfection. I was surprised past how trivial "big" scenes she has. I would have expected this movie to, but then once more that's just another surprise. She embodies this character completely, and now that nosotros have all of these flawed and unlikable leads, hither nosotros have 1 who nosotros can hands call a "hero". Someone who others could look upwards to, we instantly connect with Moore.
Overall, Far From Sky is the 2nd Haynes pic I have seen (the other being I'm Not In that location), and still his ambition is as apparent as ever. This feels every bit unique of a film as one could hope for.
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